Multimedia Works by New Jersey Artist Daniel Cosentino | Cosentinoworks

Exploring Identity, Memory, and Communication Through Video, Performance, and Installation Art

Conceptual Multimedia Art Integrating Photography, Sculpture, and Digital Media

Standing Box (After Robert Morris) – Dual Channel Video Performance Examining Personal Transformation and Spatial Awareness

12 Hour Portrait (Excerpt) – Time-Lapse Dual Channel Video Capturing Endurance and the Passage of Time in Studio Practice

Signature – Dual Channel Video Performance Exploring the Act of Signing as a Reflection on Identity and Authenticity

Circles – Single Channel Video Performance Investigating Repetition and the Physicality of Mark-Making

Founders Portraits – Multi-Channel Video and Performance Addressing Historical Narratives and Collective Memory

in•ter•sect / intər'sekt – Collaborative Multi-Channel Video and Performance Exploring Human Interaction and Technological Mediation

New Jersey Multimedia Artist Creating Conceptual Video and Performance Art

Installation Art Integrating Photography, Sculpture, and Digital Media

Exploring Themes of Identity, Memory, and Communication Through Multimedia Works

Educator and Writer Engaging with Contemporary Art Practices and Discourse

Cosentinoworks: Showcasing Photography, Sculpture, Installations, and Editorial Projects

Cosentinoworks · Daniel Cosentino Visual Arts


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Cosentinoworks presents a collection of multimedia works by Daniel Cosentino, a New Jersey-based conceptual artist, multimedia artist, visual artist, educator, and writer. This gallery features installation art, performance-based video, and time-based pieces that explore identity, repetition, labor, memory, and gesture. Drawing upon philosophical frameworks, symbolic actions, and the aesthetics of presence, these works are staged interventions into space and self. Using both analog and digital tools, Cosentino blends photography, sculpture, and video to build immersive environments and reflexive experiences. Signature works such as Standing Box (After Robert Morris) and 12 Hour Portrait explore the tensions between endurance, concealment, authorship, and transformation. Circles and Signature channel obsessive, performative mark-making to investigate the abstraction of identity, while Founders Portraits and in•ter•sect examine communal space and historical memory through collaborative frameworks. These multimedia installations connect with Cosentino’s broader interdisciplinary practice, appearing alongside his sculptural works like Totem Domum and photographic studies in projects such as Hands and Pieces of Me, Pieces of You. An active educator and frequent lecturer, Cosentino contributes to the discourse of contemporary art through public talks and his editorial platforms, Latent Views and Equine Magistrate. His work has been exhibited locally, nationally, and internationally, reflecting a consistent commitment to experimentation, reflection, and symbolic visual language. Cosentinoworks invites you to explore these layered, time-based expressions where performance, technology, and conceptual structure converge.