Cosentinoworks presents a series of contemporary sculptures by Daniel Cosentino, a New Jersey-based multimedia artist, conceptual artist, visual artist, educator, and writer. These works merge anatomical structures with typographic forms, exploring the relationship between physical presence and latent meaning. Each piece in this ongoing series is constructed using 3D-printed plastics (PLA and PETG), acrylic, and wood, drawing on Cosentino’s long-standing interest in the photographic “latent image” — the idea that something unseen can hold powerful visual and symbolic weight. These sculptures are not simply representations of the body, but poetic constructions that blend language, materiality, and gesture into spatial form. Works like Jaw, Spine, and Pelvis balance transparency and density, lightness and weight, internal volume and external expression. The use of architectural geometry and fractured letterforms adds a linguistic dimension to anatomy, as if the body itself were trying to speak or reveal what lies beneath. These sculptural forms are informed by Cosentino’s photographic practice, particularly his fascination with hidden layers, transparency, and mediated seeing. They continue his conceptual investigations from other projects such as Standing Box and Hands, expanding his material vocabulary into the three-dimensional realm. As an educator, lecturer, and editor of the platforms Latent Views and Equine Magistrate, Cosentino’s sculptural work reflects a commitment to both conceptual rigor and material experimentation. Cosentinoworks invites you to explore this sculptural gallery where the boundaries between body, language, and image are reconstructed through contemporary materials and forms.