I see these sculptures, more akin to photographs in my mind, as fusions of bones, letterforms, and hidden internal elements. They originated from a dialogue with Professor Romeo DiLoreto about silence, a concept that revealed itself as surprisingly noisy. Emerging from the body’s inner spaces, these works are inseparable from the text that drives my creative process, here embedded directly into their forms. Through 3D printing, I transform these internal visions into tangible objects, often in vibrant PLA and PETG plastics, that surprise me with their physical presence. I refine them by slicing in acrylic accents and mounting them on wooden plinths, layering materials to highlight the tension and interplay between natural and synthetic. Themes of memory, presence, absence, and double meanings, long central to my photographic practice, inform this series. My aim is to reinterpret photography’s latent image as physical forms, inviting viewers to engage with space and materiality in fresh ways. For another perspective, read Gavin Coates’ take in Vivid Anatomy: Daniel Cosentino’s Take on Human Form.