The "Stairs to Nowhere" were built in summer of 2022 on our family homestead in Lincoln Park, NJ. The work is created from repurposed pallet wood originally used to support oxygen canisters used in medical facilities through the pandemic. The stairs lead into the steep forest ravine behind the property which looks out across the valley and Great Peace Meadows below. Neighborhood children prompted the construction after the previous pathway turned into a mudslide. Since that time many birds, woodland creatures and neighborhood pets could be seen using the steps. The photograph is made from a similar homemade process, developed on premises from a large format negative made with antiquated equipment.

Stairs to Nowhere / 2021 / Chromogenic Print, Installation / 34 x 44 in

These sculptures, which I think of more as photographs, are combinations of bones, letter forms, and other elements of internal things.

Pelvis / 2024 / PETG Plastic, Acrylic, Wood / 9 x 14 x 9 in

These works are created using a combination of multiple intaglio print plates, platinum or palladium printing, and metal leaf—primarily gold, but also silver and copper. Emerging from a conversation on silence, latent images, and dreams, they explore the tension between the literal and the ethereal. The letters and symbols within these compositions are drawn from texts but often rendered in undecipherable fonts or forms, inviting ambiguity while maintaining a sense of tangibility. The interplay of materials and imagery reflects a duality: they are both grounded in their physicality and suggestive of something transcendent.

1032 / 2024 / Intaglio Print, Platinum/Palladium, Metal Leaf / 12 x 16 in

"Pieces of Me, Pieces of You" explores fragmentation, connection, and identity through intimate portraiture. Informed by Josef and Anni Albers’ studies on perception, the series examines how bodies, presence, and vulnerability shift in relation to others.

The portraits show the tension between exposure and protection, revealing how identity is shaped by interaction. They capture moments of openness while acknowledging the boundaries people maintain. Each image reflects how we come to understand ourselves through others.

Pieces of Me, Pieces of You (R) / 2025 / Chromogenic Print / 16 x 20 in

These portraits in the landscape capture some of the personalities I’ve encountered in my time living in the Balkans. The photographs are mapped at a ground level and from a human-scale perspective, revealing characters among or near their places of origin, with touches of absurdity and/or fragility.

Azem / 2012 / Photograph / 11 x 14 in

These select multimedia works are excerpts from the raw footage used in video installation works. These ideas are presented here when moving images, performance, and installation complete the works. I like to use dual video projections where two moving images are presented on screen or in projection within a gallery or site-specific space.

Signature / 2024 / Video Installation / Variable

These are ink on canvas works that came about after the death of a good friend.

Here is your letter [˜] / 2016 / Ink on Canvas / 24 x 30 in

After completing a degree in philosophy at Rutgers University and spending several years in Wyoming working at a Custom Color Lab, I moved to Florence, Italy to study studio arts and prepare a portfolio for graduate school. The following is a selection of images created during that year. These are presented as contact Palladium prints, a beautiful process where prints are made under sunlight. The ideas of divisions and double meanings, photographs within photographs, attention to tones and values, are found throughout the selections.

Palladium Prints from Italy / 2001 / Palladium Prints / 8 x 10 in